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Seeing Different March 28, 2012

One of the most frustrating things for knitters seems to be understanding what size they should pick from a pattern…

In a recent forum post I read, the writer mentioned that even though they’d knit many sweaters, they were still pretty much stumped on how to dechiper the sizing information that patterns give. Expressed was a desire for conventions across the board so it would be less confusing to “translate” what all those numbers mean in terms of ease and how the garment reflects that.

But, according to my inbox and trips around the net, these type of EASE conventions are sort of a *one man’s ceiling is another man’s floor* kind of proposition – which is why all Chic Knits designs are described in terms of Finished Measurements.

A Finished Measurement is the actual tape-measured dimensions of the piece described in terms of length and width or circumference at various points of the garment.

Chic Knits Vonica

From there it’s an easy step to compare those numbers to those on actual garments in one’s closet and pick a reasonable size from the pattern in hand.

Here’s an article I wrote about how find your default size to make (and it’s more fun with another knitting friend!)…

Now this is all well and good but there still might be some spatial confusion going on for a lot of people. The schematics and the data ask you to visualize in a flat way and we all know that our Bodies Are Not Flat.

They’re a combination of planes, curves and cylinders that all add up to some very interesting limbs, torsos, necks & heads all with different concave and convex spins and swirls and clothing has to match.

But most of us have not studied dressmaking and it isn’t obvious what does what.

Some of us, maybe, when we were in high school, might’ve been able to study Sewing; I know we were offered the choice between Sewing, Home Ec, Wood-working or Auto Shop (!). I, because I already had been making clothing (with such random skills they were really shot-in-the-dark crude!) took the Sewing Class.

And that was where I learned the vocabulary and the skills necessary to make a Peter-pan collared, set-in sleeve blouse.

I had a great teacher who broke it all down into why things were shaped the way they were and why they went together the way they did, information I use to this day. But now those sorts of practical skill classes have pretty much disappeared and we’re depending on “virtual” resources more and more.

Today, with so many people being self-taught online, there is less of this type of Hands-On Information being shared and as a result, there are many of us (knitters) who don’t know why a sleeve is, well, a sleeve. :)

So, when I get or read the type of laments about sizing, I encourage people to take a step-back before they try and go forward.

If you don’t understand the basic landscape, just having a blue-print with stats is bound to be a confounding experience.

If you’re knitting something in one piece or from the top down, it can appear to be just a mass of fabric with no definable shape. I get lots of questions about simultaneous neckline and armhole shapings – the concept of many areas or pieces joining together to make a whole is not even considered.

My theory on is that the lack of understanding about construction might be because there has been no training To See the trees from the forest, so to speak.

So, one of the things I always do (besides swatching, yes, indeed) is to Check my knitting at various places in progress, to do a well-being check on the typical sections of a garment.

Here’s a Vonica cardigan I’m knitting for myself (click on pix for bigger pix)…

Chic Knits VonicaChic Knits VonicaChic Knits Vonica

Things I’m checking today by pinning the actual knitting to a mannequin (Don’t have one? Clone One):

Does the shoulder width of the garment match the proper dimension of the body itself? This is a top-down sweater with set-in sleeves and that area is the nexus of its structure.

Does the Back width measurement actually cover the Back? If so, there will be no surpises in where the sleeve joins the bodice at the shoulder (ie. the “bodice” is the fitted part of a garment that extends from the waist to the shoulder — think of a vest that would end at the waist).

Does the neckline fit around the neck and lie smoothly?

Does the Back piece start and stop at the right points? Pinning the shoulder join/seam area to the upper shoulder and then the piece around the armhole shows the real time length fit.

Because this mannequin is actually “stitched” together in strategic points, it’s easy to see at-a-glance how a garment measures up.

But what if you don’t want to use a mannequin?

Easy! Use the same “default” sweater you measured to pick your size as a rough template!

Smooth the default sweater out on a table (or floor) and put your WIP on top of it – and pin…

This gives you the ball park confirmation that you’re ready to proceed with confidence — the knitter’s equivalent of “measure twice and cut once” you see in building…

I have three sweaters that I’ve retired from my closet that are ONLY used as fit base-lines for my body: a cardigan, a pullover and a shell. No tears, no fears. :)

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Monday Morning Mirth March 26, 2012

Monday Morning Mirth

Chic Knits Knitting Blog

I don’t know about you, but it’s one of my little pastimes when I’m watching a movie to see how they sneak in all those product placements.

Like, was it just a coincidence in the US-version of the Girl with a Dragon Tattoo that there were Happy Meal boxes scattered all over her apartment?

In the books, she was always eating something called Billy’s Pan Pizza that could be got at a Swedish neighborhood equivalent of the 7-11 or 8aHuit in Paris). Why the Happy Meals annoyed me & the BPP didn’t is a little mystery but that’s another post for another day…

But what about TIE-ins?

WHO doesn’t need some Hunger Games nail polish? Or how about Spider-Man nailpolishes (“My Boyfriend Scales Walls” or “Number One Nemesis” or “Into the Night“)?

OR, my fave, Muppet Nails (more OPI “Warm & Fozzie” & “Divine Swine”) ;p

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the First Day of Spring March 20, 2012

When you’re only 20 rows away from a finished sample, new ideas seem to flood the brain (or is it only the spring breeze?)…

They’ve been patiently waiting their turn. A little unnecessary shoving was going on, but nothing too out of the ordinary at Studio Chic for this time of year.

Even though the mark of the New Year is the time when many people promise to adjust their personal culture, I’m more inspired by what really starts happening a little later on and have let myself be pulled forward by nature’s clues.

Spring is the face of change, the time when it seems most natural to join the re-birth of the outside and invite it in.

Case in point: a short while back I was struggling with something simple that was slowing up my work flow.

Lots of my yarn is in skeins and needs a-winding before it’s ready to be on the needle. But no matter what I tried there was Resistance. Procrastination. Loathing, even.

But there was a solution right in front of me that was a sort of last chance situation.

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I had no where else to set up the winder but on a small table off my kitchen. This area is where I do most of my knitting – there’s a large window behind the comfy old leather couch with beautiful light and air.

Chic Knits Knitting BlogChic Knits Knitting BlogThe only place left for the swift was a something my Dad made years ago. It’s actually a little child’s wooden chair, with a sweet little heart cut-out and an handle to tow it around. Flipped, it makes a small little stool, perfect for my swift.

And here accidentally, I found a speed bump.

I put the winder on the higher table and the swift on the stool, which is much lower than it.


Skeins be gone!

Easy up; easy down!

I actually prefer the winding in a clockwise direction (seems smoother/faster somehow) but this high-low set up seems to have revoked my citizenship in the ProcrastiNation once and for all…

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