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MUSE: the Power of the Swatch April 17, 2014

knit blog
All day long 24/7 our brains are ingesting cues — into the mix pours a never-ending stream
of everywhere signals…

 
Putting together a new design takes the commitment to go down all sorts of roads.

The best itinerary is linear; draw, source, swatch, knit, etc. all the way to a modeled finished garment ready for its turn on whatever “runway” universe it is going to live.

This, however, is just like any other trip you take in life. It is never that straight of a shot. There’s always unexpected often third-party interruptions that make the road curve, change direction (or even disappear).

Consider: one of the primary essential functions of knitwear designing is matching a fiber to a style.

Chose one that is too dense and the garment is a one-man walking yurt; chose one that is too loose and drapey and the garment unintentionally goes to live only with the fairies.

And then, there is that quintessential moment: a look and feel that is not only wearable but tells a Story.

Shop any clothing site online and you will find those story categories. It would be odd indeed if all wearables were bunched together in a big closet in the sky and you only had to touch them with your magic wallet to get a match with all of the other pieces you might be putting together to make An Outfit. It takes engagement on your part.

This Outfit is your expression of the Story — where you take coverings for various parts of your body and sync them together to form a functioning whole.

Most often, An Outfit is tied to some kind of event. From your daily office wear to a walk down the aisle, there is going to be a stylized category that goes even deeper that lets you narrow your tale’s focus.

Different fabrics and styles combine together to make the statement that’s appropriate to an intended category.

Few people would wear denim to the prom or another type of touchstone elegant event; more people would wear something shiny, bright and a little more ethereal.

And when we’re knitting, we’re making those same decisions.

from the knit blog at Studio Chic Knits

Ultimately, we’re creating a fabric-centric wearable that has form and function. And here’s where it gets tricky.

Above you see a trio of swatches. One (no names to protect the innocent) is something that I recycled and thought would be perfect for a new prototype lurking on the design board.

It made it through about 1/3 of the way to the destination before it met its terrifying crossroad.

Up on the mannequin, there are no lies.

And even though this was shaping up to be a successful style, it was not making a successful fabric.

So back to the drawing board (or in a knitter’s case, the stash).

Two more similar gauge yarns took their turn on the needles. Only one continued on the journey.

While few would probably say it’s a best-case scenario to take steps back, in practice most often is the best choice. And, at this point, it is not that much of a detour because that huge “swatch #1″ was a fine proving ground that doesn’t have to be repeated, but now becomes a canvas to be edited and fine-tuned.

So, I embrace these changes as a fundamental part of the process.

This is a lovely round cul-de-sac not a dead end and that new momentum of having confidence in the fabric being created will boomerang a design straight towards its lovely finish.

 
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Throwback Thursday April 3, 2014

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Getting a new design together meant a trip to the sink for some perfect sample yarn that was lingering in the wings stalled and sad.

On the way to fabulous: discovered my old show rack was the perfect size and height to dry the yarn at just the right distance from a soft heat source…


MUSE: the incredible Wes Anderson March 18, 2014

who’s your
Chic Knits Knit Blog
All day long 24/7 our brains are ingesting cues — into the mix pours a never-ending stream
of everywhere signals…

Out of all of the competing sensory envoys out there, my favorite is MOVIES.

Here you find the construct where a complete style focus takes place.

But it’s a complicated success. Just watch an OSCAR show to appreciate all the categories it takes to create a time and space that exists independent of the real world but just as reality based: timeframe, location, wardrobe, music, sounds, all themed together to weave a credible material world.

I am a huge Wes Anderson Fan.

Not only do I get completely lost in whatever tale he’s telling, I get completely lost in the details and looks that he crafts in the process.

DAZED Magazine is hosting a Grand Budapest Day at their site with many interviews and articles but this one really grabbed my attention: “Tavi selects the most overlooked Wes Anderson costumes” where she writes:

“The cultish look of each of Wes Anderson’s films creates a self-contained visual world where quirky sartorial touches are the main vocabulary.”

Indeed – his newest film The Grand Budapest Hotel is deliciously candy-colored vintage bliss:

mr-2

But it is Anderson’s mix of wardrobe details and photo lighting that I find so very special.

They create moments in time like no other; although many have a vintage reference or use character types or costuming that cue a vaguely remembered whole, the end result is something completely out of this world:

Chic Knits Knit Blog

This book “The Wes Anderson Collection” illustrated by the wonderful Max Dalton puts it all into a colorful perspective:

I could wander these worlds for many a day – it is intriguing to experience the back-story behind all of the landscapes Anderson creates.

One of the most intriguing outputs enjoyed this week? A collection of color chips from WA’s archive shots that sample the details of scenes from various films (takes a moment to load):

truly a happy romp in the visual garden – have fun exploring these links and be mused…

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